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Capture acoustic rhythms or your best electric riffs with this B&H Kit, which combines a RME Babyface Pro FS USB-B audio interface with a cardioid dynamic microphone, an XLR mic cable, a pair of closed-back, over-ear studio monitoring headphones, and a tripod mic stand with fixed boom.
The RME Babyface Pro FS 24-Channel 192 kHz USB 2.0 Bus-Powered Audio Interface is designed for a wide variety of studio and live recording applications. Users of the original Babyface Pro will recognize the look of this portable interface, with its dedicated XLR sockets and parallel phone jacks (1/4", 3.5mm, and TRS connections).
Familiar users will be delighted at the new improvements offered in the Babyface Pro FS. RME has implemented a +19/+4 dBu switch on the bottom to reduce the output level, allowing you to optimize the signal-to-noise ratio of the preamps on a case by case basis. The clocking, already high-quality, has been improved to provide ultralow jitter and jitter immunity. The 3.5mm headphone output power has risen from 70 to 90mW, and both headphone outputs sport improved THD up to 10 dB. Latency now has a typical delay of 5 samples AD and 7 samples DA, one-fifth of previous generations. These are just some of the improvements.
The interface ships with the company's TotalMix FX, a software mixer available for Windows, Mac OS X, and iOS. When using the device with an iPad, an external power adapter must be used, as the iPad alone is unable to power the interface. The mixer software allows you to use the interface in a wide variety of situations, from the simple mixing of signals to more complicated routing configurations.
The unit's FPGA-based DSP mixer adds a flexible 3-band parametric equalizer on all inputs and outputs. Delay and reverb are also on hand. Achieving sample rates and resolutions of up to 192 kHz / 24-bit, the interface offers a professional recording solution in a compact form factor.
- +19/+4 dBu switch on the bottom adds a direct way to reduce the output level, improving SNR for sensitive active monitors, as well as avoiding distortion/overloads, and keeping TotalMix FX faders near 0 dB instead of high attenuations
- Full SteadyClock FS circuit for ultralow jitter and high jitter immunity
- 3.5 mm TRS phones output power rises from 70 mW to 90 mW
- THD of both phones outputs improved by up to 10 dB
- Uses same output opamps as ADI-2 Pro
- Output impedance of 3.5 mm TRS lowered from 2 to 0.1 ohm
- Mic inputs SNR improved from 112.2 to 113.7 dB
- TRS line inputs SNR improved from 114 to 116 dB RMS (120 dBA)
- THD line inputs improved by 8 dB
- Latency improved by six samples on the AD side by new ADC (5 samples AD, 7 samples DA)
- No increase in power consumption, despite new features
- K-slot for theft protection
In the studio, the SM57-LC is excellent for recording drums, guitar, and woodwinds. For musical instruments or vocals, the SM57-LC is a consistent choice of professional performers. Its outstanding performance, legendary reliability, and application diversity make this workhorse the choice of performers, producers, and sound engineers all over the world.
- B&H is proud to be partnering with Audio Test Kitchen, the world’s most comprehensive online audio product comparison platform, to improve the resources provided to our customers shopping for the right microphone for their given application.
- This provides you with the ability to listen to a growing selection of microphones with spoken word recordings captured in a standardized environment, with levels matched by the talented engineers at Audio Test Kitchen in its impressive reference studio.
- Audio Test Kitchen records microphones under identical conditions, so you can compare them—apples to apples. The source, signal chain, and level never change. The only differences you will hear are between the microphones.
- Professional workhorse for vocals and instruments in live sound reinforcement
- Legendarily reproduced, bright and clean sound
- Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
- Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
- Extremely durable design includes a pneumatic shockmount system that cuts down handling noise
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (15') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.
With 80-ohm impedance, this configuration sits in a balanced place between being able to power demanding 250-ohm and consumer-grade 32-ohm headphones, providing a versatile design that will excel on high-end audio sources while being easily driven by smart devices. The wide frequency range of 5 Hz to 35 kHz reproduces nuance and detail within audio signals, and the DT 770 PRO sports an optimized impulse response for clear transients and accuracy. The ergonomics are refined for long-lasting durability and comfort, thanks to soft and replaceable velour earpads and a padded headband with a sturdy spring steel hoop. The DT 770 PRO includes a 1/4" TRS plug adapter.
- Super sound quality, especially when paired with a dedicated headphone amp
- A wider soundstage with more precise imaging
- High scalability, with the ability to improve sound quality when a better audio source or amp is used
- Breathable velour: The soft velour earpads offer breathability, for a high level of comfort and long-lasting durability.
- Flexible temple construction: The robust spring steel hoop gives the headphones a secure fit.
- Lightweight construction: At a mere 13.2 oz including the cable, the headphones are surprisingly light and yet sturdy, so nothing stands in the way of long studio sessions.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.