RME Fireface UCX II 40-Channel USB-B Audio/MIDI Interface with Voiceover Kit
- Complete Recording Kit for Voiceovers
- Keeps Speech Clean and Intelligible
- AC Powered, Mac/Windows
- 2 Mic/Line In, 2 Line/Hi-Z In, 4 Line In
Metric Halo LIO-8 mkIV USB Audio Interface and Plug-In Bundle
- For Tracking, Mixing, and Mastering
- 8 Channels A/D-D/A at 192 kHz
- 8 Line I/O via DB25
- USB Type-C Connector for Computer/Mobile
MOTU 828 USB-C Audio/MIDI Interface with Home Studio Kit
- Complete Home Recording Kit
- Record and Mix Directly with Computers
- High-Quality Sound Out of the Box
- Easily Capture Voice and Instruments
RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface with Home Studio Kit
- Complete Home Recording Kit
- Record and Mix Directly with Computers
- High-Quality Sound Out of the Box
- Easily Capture Voice and Instruments
Universal Audio Apollo Twin X USB DUO Heritage Edition USB-C Audio Interface with Home Studio Kit
- Complete Home Recording Kit
- Record and Mix Directly with Computers
- High-Quality Sound Out of the Box
- Easily Capture Voice and Instruments
Elgato Wave XLR Pro Deluxe Streaming Kit
- Production & Content Creation System
- Audio Interface, Mic & Mirrorless Camera
- Prompter, Key Light & Stream Deck
- Headphones, Desk Stand & XLR Cable
Arrakis Systems On-Air Software-Harmony SoundCard. DHD-Tools. 1-Year Support/Updates
TASCAM Mixcast 4-Person Podcast Studio Kit with Shure SM7B Microphones
- Mixcast 4 All-In-One Podcast Recorder
- 4 x Shure SM7B Dynamic Vocal Mic
- 4 x Cabled Broadcast Arm
- 4 x Closed-Back Studio Headphones
NearStream Quad Podcast Kit for Business
- 4 VM20 4K Streaming Cameras
- 2 Wireless Mics, 4 Condenser Mics, Booms
- Green Screen with Lighting Kit
- 4 Tripods, 2 USB-C Audio Interfaces
Apogee Electronics Symphony Studio 8x16 USB-C Audio Interface
- Professional Audio Engineers & Studios
- AC Powered, Mac/Windows
- 8 Mic/Line In, 75 dB Preamps
- 16 Line Out, 2 Phone Out
RME Fireface UFX II 60-Channel USB-B Audio/MIDI Interface with SteadyClock FS
- For Studio and Live Work
- AC Powered, Mac/Windows/iOS
- 4 Mic / Line / Hi-Z Preamp, 8 Line In
- 2 Headphone Out, 8 Line Out
Metric Halo LIO-8/4p mkIV USB Audio Interface with 4 Mic Preamps and Plug-In Bundle
- For Tracking, Mixing, and Mastering
- 8 Channels A/D-D/A at 192 kHz
- 4 Mic Preamps and 8 Line I/O via DB25
- USB Type-C Connector for Computer/Mobile
RME Fireface UCX II 40-Channel USB-B Audio/MIDI Interface with Home Studio Kit
- Complete Home Recording Kit
- Record and Mix Directly with Computers
- High-Quality Sound Out of the Box
- Easily Capture Voice and Instruments
Antelope Orion Studio Synergy Core Pro Audio Interface
- Up to 32 Channels of AD/DA Conversion
- Up to 24-Bit / 192 kHz Resolution
- Supports Thunderbolt, USB, ADAT & S/PDIF
- 12 Discrete Preamps with XLR-1/4" Jacks
RME MADIface XT II 394-Channel Triple MADI USB 3.0 Audio Interface
- For Live Sound and Studio Production
- USB 3 / USB 2.0, 394 Channels
- DC Power, Mac/Windows/iOS/Standalone
- 2 XLR Mic/Line, 2 Analog I/O, Headphone
Prism Sound Lyra 2 USB Audio Interface
- Class-Compliant USB 2.0 Interface
- Up to 24-Bit / 192 kHz Resolution
- 2 x XLR Inputs with Phantom Power
- 2 x 1/4" Instrument Inputs
RME 12Mic Mic- and Line-Level Preamp for Audio Networks
- Integrated MADI & AVB Connectivity
- Studio-Quality AD Conversion
- 75 dB Gain Range
- Accepts Analog Signals up to +18 dBu
Lynx Studio Technology Aurora(โฟ) 8 USB 8-Channel AD/DA Converter with LT-USB Card
- 8 Channels AD/DA, 24-Bit / 192 kHz
- LT-USB USB 2.0 Interface
- SynchroLock-2 Sample Clock Technology
- 1 x In / 3 x Out Wordclock I/O
Antelope Orion Studio Synergy Core Audio Interface with SRC Remote Controller
- Up to 32 Channels of AD/DA Conversion
- Up to 24-Bit / 192 kHz Resolution
- Supports Thunderbolt, USB, ADAT & S/PDIF
- 12 Discrete Preamps with XLR-1/4" Jacks
Cranborne Audio 500R8 USB Audio Interface and 8-Slot 500-Series Rack Kit with Two Carnaby 500 EQ & Two Camden 500 Preamp/Mojo Modules
- 28-In / 30-Out USB 2.0 Audio Interface
- Includes 2 x Carnaby 500 Harmonic EQ
- Includes 2 x Camden 500 Preamp/Mojo
- 8 Slots for 500 Series Modules
Antelope Orion 32+ Gen 4 32-Channel AD/DA Thunderbolt/USB Audio Interface
- 32 Channels DC-Coupled AD/DA Conversion
- 128 Channels I/O via Thunderbolt 3, MADI
- Up to 24-Bit / 192 kHz Resolution
- Supports USB, MADI, ADAT, and S/PDIF
Metric Halo ULN-8 mkIV USB Audio Interface with 8 Mic Preamps and Plug-In Bundle
- For Tracking, Mixing, and Mastering
- 8 Channels A/D-D/A at 192 kHz
- 8 Mic Preamps and 8 Line I/O via DB25
- USB Type-C Connector for Computer/Mobile
Lynx Studio Technology Aurora(โฟ) LYN-AN08D16-USB 8-Channel AD/DA Converter with AES Digital Module and USB-B Interface
- 8-In / 8-Out AD/DA, 24-Bit / 192 kHz
- LM-DIG Digital AES I/O Module
- Lynx LT-USB USB-B Interface Card
- 1-In / 3-Out SynchroLock 2 Word Clock
Antelope Orion Studio Synergy Core Audio Interface with MRC Remote Controller
- Up to 32 Channels of AD/DA Conversion
- Up to 24-Bit / 192 kHz Resolution
- Supports Thunderbolt, USB, ADAT & S/PDIF
- 12 Discrete Preamps with XLR-1/4" Jacks
Audient ORIA Immersive Audio Interface and Monitor Controller
- For Music, Film, TV, and Game Production
- Up to 9.1.6 Atmos Multichannel Support
- Onboard Room Calibration DSP
- Up to 24-Bit / 96 kHz Sampling
Lynx Studio Technology Aurora(โฟ) 8-Channel Custom Converter with USB-B Interface
- 8-In / 8-Out Line I/O
- Lynx LT-USB Interface Card
- LM-DIG AES/EBU Digital I/O Module
- DB-ADAT Add-On Module
Lynx Studio Technology Aurora(โฟ) LYN-AN08M24-USB 8-Channel AD/DA Converter with 2x4 Analog Module and USB-B Interface
- 10-In / 12-Out AD/DA, 24-Bit / 192 kHz
- LM-A24 2-In / 4-Out Analog Module
- Lynx LT-USB USB-B Interface Card
- 1-In / 3-Out SynchroLock 2 Word Clock
McDSP APB-8 8-Channel Analog Processing Box Kit with Focusrite Scarlett 18i20 Interface (4th Gen)
- 8-Channel Outboard Analog Processing
- Includes APB-Ready Plug-In Bundle
- Supports Thunderbolt 3 and 4
- USB-C Thunderbolt Ports, Word Clock I/O
What Is a USB Audio Interface?
A USB audio interface is a type of sound interface that connects your compatible audio devices and peripherals to your computer via a non-Thunderbolt USB plug.
What Are the Advantages of USB Audio Interfaces?
While both USB and Thunderbolt audio interfaces can deliver excellent audio quality, they differ in speed, latency, compatibility, and cost. Advantages of a USB audio interface include:
Greater Compatibility: The biggest advantage of USB audio interfaces is universal compatibility. Nearly every modern Windows PC and Mac includes USB ports, making USB interfaces easy to connect without requiring adapters or specialized hardware. USB interfaces also work with a wide variety of recording software, making them ideal for beginners and professionals alike.
Lower Cost: USB audio interfaces are generally more affordable than Thunderbolt interfaces. Entry-level USB sound interfaces are available at budget-friendly prices, while professional USB interfaces often cost less than comparable Thunderbolt versions.
What Are the Differences Between USB Connection Types?
USB audio interfaces are available in two different connection types: USB-A and USB-C. Key differences between these connection types include:
USB Connector Type: The primary difference between USB-A and USB-C is the physical connector.
- USB-A is the traditional rectangular connector found on older desktops, laptops, and USB hubs.
- USB-C is a smaller, reversible connector that has become the standard on most modern laptops, tablets, and smartphones.
Because USB-C plugs in either way, it's considered more convenient to use and less prone to wear and tear from repeated insertion.
Speed and Bandwidth: Because USB-C is the newer connector type, people often assume that it is faster, but that's not necessarily true. Remember: USB-C describes the physical connector; the data speed depends on the protocol being used. For example, a USB-C interface may operate using any of the following protocols:
- USB 2.0
- USB 3.2 Gen 1
- USB 3.2 Gen 2
- USB4
Similarly, some USB-A interfaces also use USB 3.0 or USB 3.2.
For audio recording, USB 2.0 already provides enough bandwidth for dozens of simultaneous audio channels, so faster USB standards rarely improve recording performance for typical users.
Audio Quality: There is no inherent difference in audio quality between USB-A and USB-C interfaces. Sound quality depends on factors such as:
- Microphone preamp design
- Analog-to-digital and digital-to-analog converters
- Clock accuracy
- Internal circuitry
- Driver quality
A well-designed USB-A interface can easily outperform a lower-quality USB-C model.
Power Delivery: USB-C ports can supply more power than traditional USB-A ports, depending on the computer and interface. This additional power can benefit:
- Interfaces with multiple microphone preamps
- Models with DSP processing
- Bus-powered interfaces that don't require an external power supply
However, many compact USB-A interfaces are also fully bus-powered and work perfectly without external adapters.
Future-Proofing: USB-C has become the standard connector on most new computers, making USB-C interfaces a more future-proof investment. Benefits include:
- Better compatibility with newer laptops
- Fewer adapters for modern devices
- Easier integration into evolving computer ecosystems
USB Audio Interface vs. Thunderbolt Audio Interface
Both USB audio interfaces and Thunderbolt audio interfaces are capable of delivering professional-quality recordings, but they differ in terms of several key areas:
Data Transfer (Higher Bandwidth): Thunderbolt provides much faster data transfer rates compared to USB, typically ranging from 10 Gbps (Thunderbolt 1) up to 40 Gbps (Thunderbolt 3/4). Faster data transfer rates allow for the simultaneous transmission of multiple audio tracks with minimal latency, which is critical in professional audio work.
Latency: Thunderbolt's high-speed connection helps achieve very low latency, which is crucial for real-time audio monitoring and live performance settings.
Channel Count: Thunderbolt interfaces can often handle more input and output channels compared to USB interfaces. This means you can connect multiple pieces of and audio gear (microphones, instruments, etc.) without compromising on performance.



